Clio Karabelias
Born in Paris from a Greek family, in a cosmopolitan atmosphere,
Clio inherited much love for the arts, for ancient cultures, and
oriental melodies. As she was in her final course of classical harp
studies in Paris, she discovered improvisation, thanks to her
teacher Helene Breschand. The revolution which started then
took her away from the pure classical music, and oriented her not
only towards contemporary improvised music and free jazz, but
also towards traditional music.
Her search for her own style and improvisation on the Harp drove her towards music of oral tradition like
the Turkish music that she learned with her Master Talip Ozkan. and continued to enrich her musical
abilities especially on improvisation by meeting several interesting musicians of the world music scene
Clio’s musical journey took a remarkable turn when she started interacting with the Indian musicians. The
richness of improvisation, the jumping rhythms fascinated her and touched her like the Greek or Turkish
would do…
Clio spent few years in the Indian continent, where she developed slowly her understanding of the Indian
melodic and rhythmic systems. She started learning dhrupad from Sri. Uday Bhawalkar to amalgamate the
teachings with her compositional ideas on her instrument.
Clio has played for theater and has played for several world
music festivals in France, and Europe, alone or with the
world music band Srishtii that she cerated w along with sitar
player Hindol Deb. She played for jazz man Magic Malik in
La Cigale in Paris.
In India, she has performed at the Fireflies Festival and
French Cultural Centers in India, She has also toured with
her world music band Srishtii for the Suvarna Karnataka and
recorded for the indian composer AR Rahman in Madras.
She is now concentrating on her solo carreer in India, develloping a repertory inspired from the Indian and
greek ideoms. She has also performed with world musicians like Sivamani, Talvin Singh and more recently
with the World Music band VRavi in Bombay.
Clio develops a style and a sound in her compositions and improvisations which sublimates the classical
Harp. In the confluence of free jazz, classical contemporary music and oriental music, she incorporate all
her influences a unique melodicorythmical language. She plays on electric Celtic harp (Camac) and Pedal
Harp (Budin Pandora) but always prefers to play on her concert Harp Lyon and Healy, wich is unfortunatly
difficult to transport around the world.
Improvisations and compositions on the Harp, with a percussionist.
Συμμετέχει στο Athens Fringe Live με το:
Harp Improvisation and Compositions.
Harp Improvisations and compositions.